Ray Harryhausen was a one-man machine whose work on the likes of The Beast from 20,000 Fathoms and 20 Million Miles to Earth propelled 1950s cinema into a pulpy golden age. O’Brien mentored a man whose work would go on to define this era of special effects in cinema. Based on the Arthur Conan Doyle novel of the same name, the film depicts a cast of explorers in search of a band of dinosaurs which still roam the earth, mixing mind-blowing effects and some clever film editing. Willis O’Brien was the mastermind behind the animation for the cinematic icon King Kong in his 1933 big screen adventure - but O’Brien mastered the trade for a film released in 1925 called The Lost World. The results shocked audiences into thinking the animator had trained them to wander about on hind legs, carrying household objects around as these characters do. The title, from the Latin for ‘stag beetle’, used a variety of wee beasties which Starewicz had taxidermised into an all-star cast. Wladyslaw Starewicz was another pioneer of the form, producing a series of works throughout the 1910s and 1920s, most notably Lucanas Cervus. Smith used a variety of children’s toys - long before Woody and Buzz arrived on the animated scene - to depict the hidden lives of circus performers. The proliferation of ‘snap-it-and-forget-it’ via digital cameras and smartphones has brought the potential for stop motion into households across the world, but as the 20th century dawned the art form was reserved for those with the budget and time to painstakingly produce it.īeginning with what’s thought to be the very first entry in the genre, The Humpty Dumpty Circus was released in 1898.
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